About Prompt
- Prompt Type – Dynamic
- Prompt Platform – Google Veo
- Niche – Conceptual
- Language – English
- Category – Sci-Fi Myth Fusion
- Prompt Title – Krishna in Cyber World Veo Prompt
Prompt Details
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### **Optimized Veo Prompt: Krishna, the Digital Avatar**
This dynamic prompt is designed as a template. To customize your generation, modify the values within the **[Dynamic Variables]** section and see how they influence the entire scene.
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#### **1. Core Concept & Preamble**
**(Scene: Conceptual Cinematic Trailer | Niche: Sci-Fi Myth Fusion | Subject: Krishna, the Digital Avatar)**
Generate a high-fidelity, 4K cinematic video sequence depicting Lord Krishna as a divine digital entity within a conceptual cybernetic universe. The tone should be awe-inspiring, mystical, and technologically advanced, blending ancient Hindu iconography with hyper-futuristic, “biopunk” and “solarpunk” aesthetics. This is not a literal translation but a conceptual re-imagining. Focus on the themes of preservation, cosmic order, and divine play (Lila) within a digital reality (the “Cosmic Mainframe”).
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#### **2. Detailed Scene Breakdown (Sequential Events)**
* **Scene 1: The Genesis of the Avatar (0-8 seconds)**
* **Action:** The scene opens in a dark, empty digital void. Suddenly, a single, hyper-realistic peacock feather made of shimmering data and light materializes, spinning slowly. As it spins, it sheds particles of golden code that coalesce. A figure begins to form from these light particles, resolving into the Digital Krishna. He is in a meditative, floating lotus position. He opens his eyes, which glow with a soft, cyan light.
* **Camera:** Extreme close-up on the data-feather, then a slow, dramatic pull-back to a medium shot revealing Krishna’s formation. Use a subtle rack focus from the feather to his eyes as they open.
* **Scene 2: The Song of Creation (8-17 seconds)**
* **Action:** Krishna brings a translucent, crystalline flute (Bansuri) to his lips. It’s not a physical instrument but one made of solidified light and soundwaves. As he plays, there are no audible notes; instead, streams of vibrant, flowing data emanate from the flute, weaving together to construct the environment around him—a “Digital Vrindavan.” Floating islands of code, rivers of light, and flora made of bioluminescent circuitry bloom into existence. We see holographic Gopis (A.I. constructs) dancing in the distance, their forms fluid and elegant.
* **Camera:** Start with a close-up on the flute and Krishna’s face, serene and focused. Then, a sweeping crane shot that follows the data streams outward, revealing the world being built in real-time. The camera should move with a graceful, flowing motion.
* **Scene 3: The Confrontation and the Chakra (17-25 seconds)**
* **Action:** A corruption appears—a glitching, chaotic data-serpent (representing the demon Kaliya) made of red and black malware code. It lunges towards the core of the newly formed world. Krishna’s expression becomes serious. He raises his right index finger, and a spinning disc of pure, white-hot energy—the Sudarshana Chakra—materializes. It is a razor-thin ring of quantum-locked light, humming with immense power. He launches it.
* **Camera:** Quick cuts. A low-angle shot looking up at the menacing data-serpent. A tight close-up on Krishna’s determined eyes. A dynamic tracking shot following the Sudarshana Chakra as it slices cleanly through the corrupted code. Use slow-motion for the moment of impact, showing the malware dissolving into sanitized, harmless data.
* **Scene 4: The Cosmic Preserver (25-30 seconds)**
* **Action:** The Chakra returns to Krishna’s finger and dissipates. He lowers his hand, his expression returning to a gentle, all-knowing smile. The Digital Vrindavan is now stable and radiant. Holographic Sanskrit verses from the Bhagavad Gita float gently in the air around him, glowing like embers.
* **Camera:** A slow, majestic dolly-in, ending on a medium close-up of Krishna. He looks directly into the camera, a final, serene acknowledgment of his role as the preserver of the digital cosmos.
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#### **3. Character & Environment Design**
* **Digital Krishna:**
* **Appearance:** Youthful, with an ethereal and androgynous beauty. His skin is not painted blue but is a deep, iridescent indigo, like the surface of a bismuth crystal, with faint, glowing cyan circuits running beneath it like veins.
* **Attire:** He wears a dhoti and sash woven from shimmering nanofibers and hard-light projections, appearing both ancient and impossibly advanced. The fabric subtly shifts in color and pattern.
* **Iconography:** The peacock feather in his hair is a holographic neural-interface device. His jewelry is made of polished chrome and floating, illuminated gems.
* **The Cyber World (Digital Vrindavan):**
* **Architecture:** Not buildings, but floating platforms of compiled code, connected by bridges of pure light. Crystalline data-trees with glowing, fiber-optic leaves. Rivers are streams of flowing, liquid data.
* **Atmosphere:** The “sky” is a deep black, filled with the slow-drifting nebulae of distant server clusters. The world is lit by the bioluminescent flora and the soft glow of the data streams.
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#### **4. Cinematography & Visual Style**
* **Overall Style:** A fusion of **[Cinematic_Style_Inspiration]**.
* **Color Palette:** Dominated by deep indigos, cyan, and gold **[Primary_Colors]**, with a stark, violent contrast of red and black for the malware threat.
* **Lighting:** High-contrast, volumetric lighting. Use “god rays” emanating from pure data sources. Strong key light to create a divine, otherworldly feel, with soft fill light from the environment. Anamorphic lens flares should be prominent but artistic.
* **Texture:** Ultra-realistic textures. The smoothness of hard-light constructs, the intricate detail of the nanofiber clothing, the glitching, pixelated texture of the malware.
* **Pacing:** Begins slow and meditative, builds to a moment of fast-paced action, and concludes with a serene, majestic final shot.
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#### **5. [Dynamic Variables & Customization]**
* **[Digital_Deity]:** “Krishna, the Digital Avatar” (Can be swapped with “Vishnu, the Cosmic Architect,” “Shiva, the System Destroyer and Re-compiler,” etc.)
* **[Cyber_Weapon]:** “Sudarshana Chakra, a spinning disc of quantum-locked light” (Can be swapped with “Kaumodaki Gada, a mace of kinetic force,” “Saranga Bow, launching arrows of pure information,” etc.)
* **[Digital_Threat]:** “A data-serpent of malware code” (Can be swapped with “a rogue AI tyrant,” “a swarm of nano-locusts deleting reality,” “a black hole of pure entropy,” etc.)
* **[Environment_Theme]:** “Digital Vrindavan, a pastoral data-scape” (Can be swapped with “Cyber-Kurukshetra, a battlefield of glitching code,” “Vaikuntha, a celestial cloud server of immense scale,” etc.)
* **[Primary_Colors]:** “Deep indigos, cyan, and gold” (Can be swapped with “Emerald green, silver, and white,” “Crimson, black, and brass,” etc.)
* **[Cinematic_Style_Inspiration]:** “the clean futurism of *Tron: Legacy* with the epic, mythic scale of *Blade Runner 2049*” (Can be swapped with “the biopunk aesthetic of *Ghost in the Shell*,” “the grandeur of Denis Villeneuve’s *Dune*,” etc.)
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#### **6. Negative Prompts & Exclusions**
* **AVOID:** Generic fantasy armor, steampunk aesthetics, cartoonish or overly simplistic designs, muddy or desaturated colors, shaky cam.
* **ENSURE:** The distinction between mythological elements and their sci-fi interpretations is clear and creative. Maintain a “conceptual” and artistic feel over a literal, action-figure representation. No distorted hands or uncanny valley faces.
***
### **Example Prompt Using the Same Structure**
Here is an example prompt demonstrating how the dynamic variables can be changed to generate a completely different, yet structurally consistent, scene.
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#### **1. Core Concept & Preamble**
**(Scene: Conceptual Cinematic Teaser | Niche: Sci-Fi Myth Fusion | Subject: Anubis, the System Judge)**
Generate a high-fidelity, 4K cinematic video sequence depicting the Egyptian god Anubis as an incorruptible AI program presiding over the “data-afterlife” in a minimalist cybernetic void. The tone is solemn, sterile, and imposing, blending ancient Egyptian funerary aesthetics with stark, “cyber-noir” and brutalist design. This is a conceptual re-imagining focusing on themes of judgment, balance, and the passage of digital consciousness.
#### **2. Detailed Scene Breakdown (Sequential Events)**
* **Scene 1 (0-8s):** Opens on a vast, silent server room, the “Hall of Two Truths.” A single digital consciousness (a glowing sphere of light) floats towards a dais. On the dais sits the System Judge, Anubis, a towering figure in obsidian-black armor with a sleek, jackal-shaped helmet. He raises a hand, and the consciousness stops before him.
* **Scene 2 (8-17s):** Anubis manifests a set of digital scales. On one side, he places the glowing sphere (the “heart” or data-soul of a defunct program). On the other, a single, feather-light line of perfect, incorruptible code (the “Feather of Ma’at”) materializes. The scales begin to balance, its beam glowing intensely.
* **Scene 3 (17-25s):** Close-up on the scales. If the data-soul is heavier (corrupted), it flashes red and is consumed by Ammit, a “devourer” program represented as a geometric beast of firewalls and anti-virus protocols. If it is lighter, it glows pure white. We see the scale tip in favor of the feather.
* **Scene 4 (25-30s):** Anubis nods once, his helmet’s glowing hieroglyphic visor displaying a symbol for “PASS.” He gestures with his Staff of Judgement, opening a gateway of pure white light (the “Aaru Field” or protected cloud server). The data-soul floats through it to digital peace. Anubis remains, an eternal, silent guardian.
#### **3. Character & Environment Design**
* **System Judge Anubis:**
* **Appearance:** A tall, powerful humanoid form in form-fitting, segmented armor made of a non-reflective, obsidian-like material. His helmet is a stylized, aerodynamic jackal head with glowing golden lines and a visor that displays shifting hieroglyphic data.
* **The Hall of Two Truths:**
* **Architecture:** A vast, minimalist, and dark space, reminiscent of a brutalist data center. Towering server racks fade into the darkness. The only light comes from the glowing elements of the scene (Anubis, the scales, the data-soul).
#### **4. Cinematography & Visual Style**
* **Overall Style:** A fusion of **[Cinematic_Style_Inspiration]**.
* **Color Palette:** Dominated by **[Primary_Colors]**.
* **Lighting:** Extreme chiaroscuro. Harsh key lights, deep shadows, and strong silhouettes. The scene is defined more by the absence of light than its presence.
#### **5. [Dynamic Variables & Customization]**
* **[Digital_Deity]:** “Anubis, the System Judge”
* **[Cyber_Weapon]:** “The Staff of Judgement, which opens and closes pathways in the network”
* **[Digital_Threat]:** “A corrupted data-soul on the verge of being devoured by Ammit, the system’s firewall beast”
* **[Environment_Theme]:** “The Hall of Two Truths, a minimalist and solemn server-tomb”
* **[Primary_Colors]:** “Obsidian black, stark white, and brilliant gold”
* **[Cinematic_Style_Inspiration]:** “the stark, brutalist grandeur of Denis Villeneuve’s *Dune* with the solemn, cyber-noir mood of *Blade Runner*”
#### **6. Negative Prompts & Exclusions**
* **AVOID:** Cluttered backgrounds, warm colors, animal fur on Anubis (he is a machine), traditional Egyptian clothing.
* **ENSURE:** The feeling of immense scale, silence, and solemnity is prioritized. The focus is on the ritual of digital judgment.